Making Blues Brothers With John Belushi and Dan Akroyd—“We Had a Budget for Cocaine” | Vanity Fair →

There are the sort of films where you can imagine a director coming up with the vision, and working to make it a reality.

Then there are the sort of films where you just can't imagine what the vision would have been at the start of the process, where it feels that the film must have just somehow come together as a fluke of nature.

The Blues Brothers always felt to me like the second kind.